Directed by: Malcolm D. Lee
Produced by: Will Packer, Malcolm D. Lee
Screenplay by: Kenya Barris, Tracy Oliver
Story by: Erica Rivinoja, Kenya Barris, Tracy Oliver
Starring: Regina Hall, Tiffany Haddish, Larenz Tate, Mike Colter, Kate Walsh, Jada Pinkett Smith and Queen Latifah.
After 5-years apart, four lifelong female friends reunite for a wild weekend in New Orleans, unleashing their Class of 95 sisterhood, ‘the Flossy Posse’, older and wiser, little do they suspect just how wild and unwise unleashing their former selves will be.
Before the posse join the reveling hundreds of thousands, the throbbing mass of the Essence Festival crowd – where every temptation is overripe for the plucking – they are led into prayer – before their sins begin – by the provocative insanity that is Dina (Tiffany Haddish) a shameless, man crazy, hothead with anger management issues.
‘Dear God, my heart is so full of joy for these women right here. Lord please make sure that Lisa don’t get an STD and nobody has kidney failure because we plan to get messed up. And let me get pregnant by somebody rich. Amen’.
Sweet divorcee Lisa (Jada Pinkett Smith) doesn’t get an STD, but does get a man endowed with an appendage the size of a third arm. How she overcomes the colossal feat of fellatio with grapefruit requires audience tissues, not for crying but for snort out loud laughter that is wet and uncontrollable in a cinema full of strangers.
At the movie’s heart is the tale of Ryan Pierce (Regina Hall) A svelte, successful, self-help author, selling her soul to uphold a marriage now stripped of love but needed to maintain celebrity image and fortune.
And Sasha (Queen Latifah) towers as the Judas character, a celebrity gossip blogger tempted by the fortune she could make by exposing her friend’s marriage to the world before the weekends over.
With an insanely relatable quartet of women, Packer dramatizes his characters alive not with the traditional single-woman qualities of cute man-pleasing sexiness but with women aware of their beauty, outrageous in their partying, their crowd surfing pantyless libidos and their criminal if convicted brawling. And he throws in just a few explosive public golden urine showers over innocent revelers to keep them dangerously unforgettable.
Dina is by far the most outrageous and controversial and in some scenes her motives teeter dangerously between pure funny wrong and pure wrong.
In one scene, she threatens to glass Ryan’s unfaithful husband with the broken neck of a wine bottle and in another she spikes the ‘posse’s’ cocktails with a heavy pour of 200-year-old absinthe – their night turns out hilarious and hallucinogenic but the concept of spiking one’s girlfriend’s kind of breaks that momentum of sisterhood.
In just over two hours, the movie edit could be tighter, but its outrageous moments will propel the word of mouth success of, Girls Trip.
In America, the film grossed over $85 million dollars making Packer 43 one of the world’s most prominent African American filmmakers with 26 movies grossing over $1 billion.
Packer has an innate sense of what his market audience wants and he delivers just that.
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