Directed by: Steven S. DeKnight
Screenplay by: Emily Carmichael, Kira Snyder and Steven S. DeKnight and T.S. Nowlin
Story by: Steven S. DeKnight and T.S. Nowlin
Based on the Characters Created by: Travis Beacham
Produced by: Guillermo del Toro, Thomas Tull, Mary Parent, Jon Jashni,Cale Boyter, John Boyega, Femi Oguns
Executive Producer: Eric McLeod, John Boyega, Scott Eastwood, Jing Tian, Cailee Spaeny, Rinko Kikuchi, Burn Gorman, Adria Arjona and Charlie Day.
Pacific Rim Uprising is a visual immersive, escapist, global battle feast, packed full of 3D epic, mecha anime like, larger than Godzilla sized, Jaegar, super robots.
Piloted from within the skull of each Jaegar are a new generation of Jaegar pilots – who run like hamsters on a wheel, driving the Jaegars onwards to save our planet from even more gigantic, acid bleeding aliens, the monstrous ‘Kaiju.’
DeKnight may have had a focus group that picked out the best parts of action movies and married them together for Pacific Rim Uprising.
Armed with my 3D glasses and having never seen the prequel, I was captivated and transported.
The movie opens into a dystopian wasteland in Santa Monica – post-apocalyptic and peaceful – there is no Mad Max blood and guts here.
Ten years after Pacific Rim, survival on the street in a post-apocalyptic world is for those with street smarts and Jake a once infamous soldier, our ambivalent hero, played by John Boyega (Star Wars: The Force Awakens), chooses not to pay rent for the safety of a gated community but fend for himself in the ruins of a mansion on the outside.
Sure, his mansion comes with the gigantic carcass of a beast flattening his entire neighbourhood and he must steal Jaegar parts to supply an illegal Cyborg building trade: so long as he keeps away from the law or trading for what matters most-right-now, like handing over his luxury key cars for a bottle of tomato sauce.
When Jake is arrested for his criminal behaviour he is offered a lighter sentence, to man-up and resume his post at the Jaegar Academy, alongside Pilot Lambert (Scott Eastwood), he must train new Jaegar pilots to vanquish the Kaiju.
The characters are funny, likable and culturally diverse.
The Chinese characters are well drawn and the Mandarin spoken is substantial without feeling tokenistic.
DeKnight has drawn successfully upon influences from the 1986 movie Aliens, apparent in his settings, cast and monsters.
Aliens (1986) remains one of my top 10 movies of all time.
In the opening scenes, Jake uses a tracking device to locate illegal hardware – the tracking device has the same size, sound and movement sensitivity as that used in Aliens.
As Jake salvages, illegal Jaeger parts the spine like catacomb of machinery tunnels is reminiscent of the 1986 Alien nest.
An interior lift behind Liwen Shao(Jing Tian) at her headquarters is identical to the giant spinal cord of the 1986 Aliens.
The Kaiju bleed acid as do the aliens in Alien.
And of course, the name Newt, given here to Newton Geizler (Charlie Day) the name of the little girl, Ripley (Sigourney Weaver) saves in Aliens.
Even Dr. Hermann Gottlieb (Burn Gorman) as the traditional obsessed scientist is not unlike the obsessed scientist Bishop of Aliens.
DeKnight transforms recognizable cityscapes into battlegrounds and engages a global audience. The Jaegar’s enormous size, unforgettable as they dwarf the Sydney Opera House and Harbour Bridge.
As the skyscrapers of Tokyo are cleaved to shreds in a city-destroying battle scene, DeKnight magnifies the towering scale of his robots ensuring their hulk-like ground punches reverberate as a shadow presence throughout, making this a great movie experience.
© GoMovieReviews 2015-2018
Images not owned by GoMovieReviews are used for promotional or illustrative purposes and their copyright remains the property of the original owner.