The Sisters Brothers

Rated: MA15+The Sisters Brothers

Directed and Created by: Jacques Audiard

Based on the Book Written by: Patrick DeWitt

Screenplay Written by: Jacques Audiard, Thomas Bidegain

Produced by: Alison Dickey, Michael De Luca, Pascal Caucheteux, Michel Merkt, Megan Ellison, Gregoire Sorlat, John C. Reilly

Starring: John C. Reilly, Joaquin Phoenix, Jake Gyllenhaal, Riz Ahmed, Rutget Hauer, Carol Kane, Rebecca Root.

Set in America, circa 1851, guns-for-hire, The Sisters brothers, Eli (John C. Reilly) and Charlie Sisters (Joaquin Phoenix) work on the request of The Commodore (Rutger Hauer).

The brothers are sent to rob, track and kill – if necessary, or if it’s just easier – Riz Ahmed (Hermann Kermit Warm).  A man who has created a formula to find gold.

The killing doesn’t seem to be personal with the Sisters brothers.  For the brothers, it’s just life.

But Riz believes life is worth examining; and a life worth examining, is a life worth writing about.

We see Riz hurl his hat at a chicken, to see the bird captured underneath.  All the while observed by another tracker, the subtle John Morris (Jake Gyllenhaal) hired to find the chemist and keep him in place until the Sisters arrive – a bit like the chicken under the hat, l guess.

Morris also thinks about life.

When tracker Morris and the chemist, Riz meet, it’s like a meeting of the minds.

But as is the nature of this film, there’s duplicity; the lying to one’s self to not be afflicted by gold fever but to want to create a better society by panning for gold.

That’s what Riz writes about.  He wants to create a better society.

And because he’s found a formula that separates gold from water, a chemistry that makes the gold glow, the Sisters brothers have been sent to find him.

The use of light is the common threat used by director Jacques Audiard to piece one scene to the other, one thought to the next; from the light reflected from stolen pearls hanging from a saddle bag to the sun reflected off a snowy mountain.

There’s nothing electric here, only fire light, candle light, sunlight. Yet the film doesn’t dwell on being set in the 1800s. This is more a story of character.

Based on the book written by Patrick DeWitt, we get this intricate thread of people just being who they are: killers, brothers, chemists, intellects.  The truth of each character is revealed by circumstance; to convey the subtleties that show a killer to be too nice for a whore, for a drunk to have ambition, a philosopher to have greed.

There’s so much to think about with this film, I’m still unpacking as I’m writing.

We get moments captured in fevered dreams; the nightmares that cry out, the one crying out only to laugh at the helping hand to lighten the idea of safety as the brothers sleep at night, hand on revolver.

It’s incredibly subtle, the quiet touch behind the powerful performances made it feel like no performance at all.

I was particularly impressed with John C. Reilly as Eli Sisters.  There’s something genuinely adorable about this guy.

To have layers peeled back from this character, Eli, was the drive behind this intricate film.

Superficially, this is a Western, a classic tale of two bad guys going after the man who’s found the secret to finding gold.  But underneath all the killing and gold fever is a delicate tale of humanity.

The Hateful Eight

The Hateful EightWritten and Directed By: 

Quentin Tarantino

Starring: 

Samuel L. Jackson as Major Marquis Warren

Kurt Russell as John ‘The Hangman’

Jennifer Jason Leigh as Daisy Domergue

Tim Roth as Oswarldo Mobray

Michael Madsen as John Gage                         

Walton Goggins as Sheriff Chris Mannix

Bruce Dem as General Sanford Smithers

Demián Bichir as Bob12507479_10153989110359924_2847167535995967292_n[1]

Zoe Bell  as Six-Horse Judy                              

James Parks as O. B Jackson

Original Music Composed and Conducted By: 

Ennio Morricone

Cinematography:

Robert Richardson

Running Time:   

187 min

Set in the middle of a Wyoming winter, a bounty hunter, John, The Hangman (Kurt Russell), is forced to take shelter with his prisoner in Minnie’s Haberdashery, along with six other dubious characters, making a total of 8 hateful (seeming) strangers.

This is a great movie to show in Ultra Panavision 70mm film as it’s all about the snow, the horses and most importantly, the facial expressions of the characters who tell the story.

There’s some amazing dialogue here (particularly well expressed by Walton Goggins as Sheriff Chris Mannix. Boy does Walton have a silver tongue!), but it’s also about what’s left unsaid, what the wink of a bruised eye can express, that words cannot.

Jennifer Jason Leigh’s expressions were so convincing, Daisy Domergue could be mistaken for a reptile disguised as a human.

Director, Quentin Tarantino in an interview on Triple J (18/01/16) described Daisy as, ‘Hiding in plain sight’. Samuel L Jackson playing the part of Major Marquis Warren is shown to be noticing and clocking all that is not right. Tarantino states – ‘Taking it all in and staying silent with his hand on the butt of his gun because he’s in a room full of white people he doesn’t trust’. And with the rich detail of the 70mm film, every expression is captured and shown to the audience.Samuel L Jackson

I liked the Overture with the stark black and red stencilled image of the six-horse drawn stage coach slowly becoming more vivid with the build-up of music composed and conducted by Ennio Morricone. A great way to settle the audience and slowly capture their attention before the beautiful wide screen scene of the image taking life, of the stage coach been driven through the falling snow.

The first 2 hours went by surprisingly quickly. There’s not a lot of action here. But the dialogue between the characters is hugely entertaining. The depth of thought put into the characters: Samuel L. Jackson as Major Marquis Warren, Walton Goggins as Sheriff Chris Mannix and Jennifer Jason Leigh as Daisy Domergue was particularly impressive.  And the not so subtle gallows humour and O. B’s bad luck is gloriously funny.

After the Intermission and release of tension, the buzz in the bathroom, you come back to be taken in for the film’s dramatic conclusion.Quentin Tarantino_autograph

Not for the light-hearted. There are some truly terrible scenes and brain been blown into people’s faces, etc. This is an R rated film for a reason.  Not that I don’t mind a bit of stylised blood and guts.  But the film wasn’t perfect. I wasn’t convinced by the addition of Zoe Bell as Six-Horse Judy with her New Zealander accent… in the middle of Wyoming… in the 1870s… But I was pleasantly surprised by the humour.

The acting and writing of this movie is enough to rate this film highly. The 70mm film, program and special screening are Tarantino showing The Hateful Eight in its absolute best making the viewing an event.

Really, what fun. I’m still smiling.

 

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