Flow

GoMovieReviews Rating: ★★★★Flow

Rated: TBC

Director: Gints Zilbalodis

Scenario: Gints Zilbalodis, Matīss Kaža

Production: Dream Well Studio (Latvia), Sacrebleu Productions (France), Take Five (Belgium)

Script Adaptation: Ron Dyens

Producers: Matīss Kaža, Gints Zilbalodis, Ron Dyens, Gregory Zalcman

Composers: Gints Zilbalodis, Rihards Zaļupe

Sound Design:  Gurwal Coïc-Gallas

Director of Animation: Léo Silly-Pélissier.

A cat, Flow, sees itself in a reflection of a puddle.

Rain falls.

Dogs are running and barking.

Deer stampede.

Flow darts towards a meadow filled with lifting butterflies.  The light is golden as Flow wanders through cat statues leading to a cabin.

Flow makes her way through a broken window to then stretch and sleep as the rain continues to fall.

A flood rises, catching animals in the waters’ wake.

Flow meows as the flood waters threaten to rise above the cabin.

Then a sailboat comes by, shepherded by a capybara, heralding safety.

Flow jumps aboard.

The first thing I noticed about this gentle yet powerfully moving animation was the realistic clear water.

So clear and clean and a feature through-out the film with the rain, the puddles, the flooded forest, to the huge waves of an ocean.

The imagery of the animation is like a moving painting of watercolours yet defined and flowing.

It’s an animation set in a forest, where Flow and the capybara find other animals that need saving, each species carefully studied so the mannerisms of each animal are delightfully accurate, provoking an added smile of enjoyment.

The cat, Flow, is seen stretching and scratching, demure, scared, the pupil of the eyes depicting the mood to a soundtrack of meows that call for help or growl in distaste.

All the animal sounds in the film are real.  And there’s no dialogue.  Just the emersion into the personalities of each animal aboard the small sailboat:

The yellow lab that follows Flow pees on one of the cat statues.

The Lema collects.

The bird navigates.

Each species is different and wary of the other, yet there’s also a kindness that evolves, started by the rescuing capybara who remains steady and friendly to all in the boat.

A thoughtfulness rises with the flooding waters that sees a bird acting against its nature to give a cat a fish.

The film is sweet and funny and magical to watch like a circling perspective around a giant cat statue as Flow sits on top.

The view ducks underwater to see colourful fish and a friendly whale that follows the unlikely group.

And the soundtrack is the animal sounds that communicate the question of, Friend or foe?  Accented with an orchestral build, a crescendo for those poignant moments that enhance, not overtake, the gentle story about these animals who come together and grow to help each other while continuing to be who they are.

A genuine pleasure to watch.

YOUTH

GoMovieReviews Rating: ★★★★ Youth

Written and Directed by: Paolo Sorrentino

Music Composed by: David Lang

Starring: Michael Caine, Rachel Weisz, Harvey Keitel, Jane Fonda, Mădălina Diana Ghenea and Paul Dano.

Youth is a meandering journey of many moments caught of people coming to terms with their lives.

Opening with a band playing, a close up of a girl singing while slowly revolving with the background of characters blurred, sets up the theme of the film – music being the soundtrack that gives cohesion to the life of the main character, Fred Ballinger (Michael Caine) – the retired maestro taking a holiday at a Swedish Health Spa.

After being asked to conduct at Prince Phillip’s birthday at the Queen’s request, the film follows Fred after his refusal, revealing his reason of refusal while showing his character through his interactions with his daughter and assistant, Leda (Rachel Weisz), his best friend, Mick (Harvy Keitel) and the famous actor on holiday, Jimmy Tree (Paul Dano).

The director and writer of this film, Paolo Sorrentino, has created a sensory experience for the audience: Great loves, music, beauty, art, bubbles, the bells around cows’ necks ringing, wildflowers, snow, levitating, hot baths, blood tests, communicating through touch, smoking and sometimes just talking.

The character, Mick Boyle (Harvey Keitel), an aging writer and director in conversation with his best friend, Fred, describes the various nude scenes so well: “There’s the ugly, the beautiful and the inbetween who are just cute.”

There were some beautiful truths spoken here. One of many spoken by Mick, “I have to believe everything in order to make things up,” gives a simplicity to the individual experience.

I liked how the film scratched the surface of the mundane to show the real beauty of the pain of life. The pain of growing and struggling to make something of ourselves. The misunderstandings between people.

Many moments of the characters getting to know themselves and others are pieced together into a not always cohesive storyline. The momentum of the film sometimes lost when caught in the space between these moments. But what was lost in cohesion was made up by the beauty of the scenery, well thought-out camera angles and some light cheeky humour.

Not a perfect film but some thought-provoking moments, some great dialogue delivered by some great actors, Youth is a quirky, life affirming movie that goes deeper than expected.

 

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